Editor’s Note, by Art Middlekauff Back in March we shared a 1961 article entitled “Joy to be Shared” by a schoolteacher named Donald Beswick. He was writing at a time when the popular conception of music was undergoing rapid and radical change, and he offered a bold and compelling case for the enduring value of …
Editor’s Note: Donald Beswick was born in 1928 near Manchester. “After two years at a Teacher Training College and one year at Trinity College of Music, he took up teaching and [became] music master at a Secondary Modern School in London.” It was said that “his hobbies [were] singing with the Oriana Madrigal Society, and …
Editor’s Note, by Heidi Buschbach In the days of the PNEU, experts would come and speak about topics of interest. Their presentations would be transcribed and included in the Parents’ Review. Mr. Walter Ford was one of those presenters. He worked with notable men such as folksong collector Cecil Sharp and British composer Ralph Vaughn …
Editor’s Note, by Heidi Buschbach Our author, W.H. Leslie, wrote Part II of this article and it was included in a later printing of The Parents’ Review that year. Part I focused on the early years of teaching Sol-fa which included basic things such as having good tone, training the ear to hear pitch, melody, …
Editor’s Note, by Dawn Tull As part of the special “Baby Number” edition of the Parents’ Review issued in July 1917, Mrs. Howard (Ella) Glover, the founder of Music Appreciation in the PNEU, wrote an article about musical ear training for the youngest children. Other articles in this “Baby Number” included: Religious Training at Home …
In my previous article I shared some reflections and conclusions from my research into music appreciation in the PNEU. Many of you do not need to be convinced to include music appreciation using Miss Mason’s methods. Instead your question is, “What do I do now?” How can we apply what we have learned from the …
My last article concluded a chronological progression of music appreciation in the PNEU from its conception in 1905 through the last half of the 20th century. As I traveled on my journey through the PNEU music programmes, I reflected on my original questions. The results of my research answered many of them and prompted new …
Editor’s Note, by Dawn Tull Seventeen years after her inaugural music programme, and eleven years after she wrote her last programme in 1911, Mrs. Ella Howard Glover was still contributing to music appreciation in the PNEU. She gave a lecture in 1922 at the twenty-fourth annual PUS conference on music appreciation, which was later published …
In my first and second articles, I traced the history of music appreciation in the PNEU from its commencement in 1905 all the way to 1924, the year after Charlotte Mason’s death. I showed how a variety of music programme authors influenced how music appreciation was conducted, and I also showed the impact of technology, …