Charlotte Mason Poetry
  • About
    • Podcasts
    • About Us
  • Resources
    • The Saviour of the World
    • Math
    • Brush Drawing
    • Sloyd
    • Map Questions
    • Scale How Meditations
    • The CMP Review
    • The Living Education Retreat
    • The Baby Number
    • The Changing Year
  • Home Education Series
    • Table of Contents
    • Home Education
    • Parents and Children
    • School Education
    • Ourselves
    • Formation of Character
    • An Essay Towards a Philosophy of Education
  • Parents’ Review
  • Topical Index
  • Search
  • 🌎
    • Recursos en español
    • Ressources en français
    • Recursos em português
Educational-Tradition

Educational-Tradition

https://charlottemasonpoetry.org/wp-content/uploads/2018/02/Educational-Tradition.mp3

“Educational-Tradition”. Released: 2018.

Post navigation

Resources

  • The Saviour of the World
  • Math Resources
  • Brush Drawing Resources
  • Sloyd Resources
  • Map Questions
  • First Grammar Lessons
  • Scale How Meditations
  • The CMP Review
  • Faith: Eleven Sermons with a Preface
  • Blackie’s Editions of Plutarch
  • The Baby Number
  • The Changing Year
  • Calendar for The Cloud of Witness and The Golden Key
  • Idyll Schedule IV
  • Idyll Schedule V
  • Parents’ Union School Time Tables
  • Notes of Lessons
  • Give to the Armitt

Videos

  • Charlotte Mason’s Twenty Principles
  • Charlotte Mason and the Educational Tradition
  • Mason’s Program for Bible Lessons
  • Charlotte Mason and Math: A Mountain Perspective

Favorites

  • Teaching Paper Sloyd
  • Charlotte Mason’s Call to Parents
  • How to Learn the Charlotte Mason Method
  • The Mediocre Purist
  • The Living Principles of Sloyd
  • Five Important Differences Between Charlotte Mason and Classical Christian Education
  • The Truth About Volume 6
  • First Reading Lessons
  • Building Without Scaffolds
  • Learning Styles and Charlotte Mason
  • Wading in the Shallows
  • Supplies for Nature Notebooking
  • How to Keep a Nature Note-Book
  • Ruminating on Recitation
  • Habits for Life
  • Lesson Preparation
  • A Physician’s Look at Charlotte Mason’s Views on Food
  • Maria Montessori and the Classical Tradition
  • Narration the Charlotte Mason Way
  • From Classical Teacher to Charlotte Mason Educator
Loading

charlottemasonpoetry

A podcast and blog dedicated to promoting #Charlottemason’s living ideas.
#charlottemasonpoetry

In her final volume, Charlotte Mason gave us this In her final volume, Charlotte Mason gave us this plea: “Let us observe, notebook in hand, the orderly and progressive sequence, the penetrating quality, the irresistible appeal, the unique content of the Divine teaching; (for this purpose it might be well to use some one of the approximately chronological arrangements of the Gospel History in the words of the text).”

The chronological arrangement she preferred was “The Gospel History,” a harmonization of the four Gospels by C. C. James. Enriched by Charlotte Mason’s own poems, it formed the basis for a branch of Bible lessons for Forms 3–6. The text of “The Gospel History” looks unassuming. It reads like the Bible text, which is natural, since Rev. James used the actual words English Revised Version (ERV), an 1881 translation in the King James tradition.

In our homeschool, however, we found the ERV to be a bit inaccessible, so I began making equivalent readings based on the 1982 New King James Version (NKJV). Since one of the goals of the synthetic study is to bring out the emphasis of each Gospel writer, I decided to color-code the source of each sentence or phrase. It was in the process of doing this that I discovered the hidden genius of James’s unassuming work. Verse after verse and chapter after chapter I have thrilled at how he chose to harmonize and reconcile the biblical data.

Now that my son has finished The Saviour of the World, we are continuing our study of “the orderly and progressive sequence … of the Divine teaching.” With C. C. James as my guide, the color-coded texts have enhanced the understanding of student and teacher alike. And “the irresistible appeal, the unique content of the Divine teaching” is becoming our possession for life.

@artmiddlekauff
.
.
.
.
.
.
.
.
.
#charlottemasonpoetry #thesaviouroftheworld #charlottemason #charlottemasonbiblelessons #thegospelhistory
No field guide with color photographs has helped m No field guide with color photographs has helped me identify plants and wildflowers as well as Edith Holden’s watercolors in “The Country Diary of an Edwardian Lady.”

@rbaburina
Allegory has always been a powerful way to express Allegory has always been a powerful way to express abstract ideas. From Isaiah’s Song of the Vineyard, to Ambrogio Lorenzetti’s Allegory of Good and Bad Government, to John Bunyan’s Pilgrim’s Progress, allegory shows us how invisible ideas are dynamically related by pointing us to familiar phenomena that we see in the world every day.

Charlotte Mason herself began Ourselves with the allegory of Mansoul, which has captured the imagination of countless readers of all ages. There is something about contemplating the soul as a kingdom which makes self-reverence, self-knowledge, and self-control more inviting and more profitable to contemplate.

In 1917 Elsie Kitching wanted to express how the ideas of her mentor and teacher fit within the broader history of thought. She could have chosen an essay format, and with careful definitions and transitions have given us an academic and analytical exposition. Instead, she chose allegory. The result is a contextualization of Miss Mason’s ideas unlike anything you’ve ever seen before.

Kitching’s piece is highly unusual and as a team we discussed whether our audience would even appreciate her allegorical approach. But Kitching’s use of allegory places her in good company. And if you’re following us here, you’re probably just the kind of person who could find something inspiring and intriguing in Kitching’s one-of-a-kind presentation. So today it’s on the internet for the very first time, and you can read or hear it at the profile link.

@artmiddlekauff
.
.
.
.
.
.
.
.
.
#charlottemasonpoetry #charlottemasonpodcast #charlottemason #philosophyofeducation
“But Nature does more than this for us. She gives “But Nature does more than this for us. She gives us certain dispositions of mind which we can get from no other source, and it is through these right dispositions that we get life into focus, as it were; learn to distinguish between small matters and great, to see that we ourselves are not of very great importance, that the world is wide, that things are sweet, that people are sweet, too; that, indeed, we are compassed about by an atmosphere of sweetness, airs of heaven coming from our God. Of all this we become aware in “the silence and the calm of mute, insensate things.” Our hearts are inclined to love and worship; and we become prepared by the quiet schooling of Nature to walk softly and do our duty towards man and towards God.” (Charlotte Mason, “Ourselves” Book 2 p. 98)

@tessakeath
Follow on Instagram

Recent Posts

  • Highways and By-Ways of Modern Thought
  • A Liberal Education for All — Letter III
  • A Liberal Education for All — Letter II
  • A Liberal Education for All — Letter I
  • Miss Mason’s Letter to the Children

Categories

  • Art
  • Ask Art
  • Baby Number
  • Bible
  • Citizenship
  • Classical
  • CMI Conference
  • CMS Conference
  • Common Place Quarterly
  • Composition
  • Dance
  • Democracy and Taste
  • Drill
  • Early Years
  • Elsie Kitching Series
  • Eucken
  • French
  • Geography
  • Great Recognition
  • Habit
  • Handicrafts
  • Helen Wix Series
  • High School
  • History
  • Idyll Challenge
  • L’Umile Pianta
  • Latin
  • LER
  • Lifestyle
  • Literature
  • Math
  • Method
  • Montessori
  • Music
  • Narration
  • Nature Study
  • Physics
  • Podcast
  • Poetry
  • Portuguese
  • Reading
  • Recitation
  • Scaffolding
  • Scheduling
  • Science
  • Scouting
  • Shakespeare
  • Sloyd
  • Spelling
  • Technology
  • The Changing Year
  • The Parents’ Review
  • The PNEU Journal
  • Theology

Archives

  • May 2026
  • April 2026
  • March 2026
  • February 2026
  • January 2026
  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • February 2016
  • January 2013
  • July 2012
  • February 2012
  • September 2011
  • February 2009
  • July 2008
  • September 2007
Copyright © 2026 Charlotte Mason Poetry Team